Art and Fashion in Ancient Rome

Ancient Rome was an Italic development that started on the Italian Peninsula around the eighth century BC. Placed along the Mediterranean Sea and fixated on the city of Rome, it stretched to turn into one of the biggest domains in the ancient world

Roman dress varied starting with one class then onto the next. The tunic was worn by plebians (normal individuals), herders and slaves was produced using a coarse and dim material. The tunic worn by patricians was produced using white downy or cloth. Officers wore the tunic augusticlavia, and senator were mostly seen wearing a tunic with expansive strips, tunica laticlavia. Military tunics were shorter than those worn by regular citizens.

Men wore a Toga alongside a Tunica. The frock was a material wrapped around the body and by and large worn with a tunic. It was made out of downy and the tunic under it was created from material.

Ladies, then again, wore a Stola. It involved rectangular sections of material joined at the side by clasps and pins made out from gold and bronze. Over the stola, ladies wore a Palla, a short shawl made up of an elongated bit of material that could be worn as cover.

The Romans had short known as the 'Caesar Cut'. The rich individuals just wore footwear. These were strappy shoes made out of cowhide. Indeed today, these are a style explanation, usually known as 'Warriors'.

men wearing a toga

After the second century BC, other than tunics, ladies wore a basic article of clothing known as an issue and normally emulated the styles of their Greek peers. Stolae ordinarily embodied two rectangular sections of fabric joined at the side by fibulae and catches in a way permitting the article of clothing to wrap uninhibitedly over the front of the wearer. Over the stola, ladies regularly wore the palla, a kind of shawl made of an elliptical bit of material that could be worn as an issue, with or without hood, or hung over the left shoulder, under the right arm, and afterward over the left arm. The palla secured the respectable lady when she went outside. It is regularly portrayed as an issue. 

Ladies wore a tunica which was adjusted from the Greek chiton. The tunica was normally knee-length. Over this the ladies wore a stola which was a full length from neck to lower leg, high- waisted and secured at the shoulders with catches. The stola was generally either white, tan or light black, however some were brilliantly shaded with vegetable colors. A shawl, called a palla, was worn wrapped around the shoulders and arm, or could be hung over the head. Shrouds were worn to keep warm. 

Caps were not worn with the exception of by slaves yet ladies were required to cover their heads when strolling outside.

women wearing a stola

They used false hairpieces to make their hair thicker or longer. Sometimes, Roman women wore their hair up, in carefully arranged styles, held with jeweled hairpins. Sometimes they wore it down, curled in ringlets. Fashionable women wore hair-pieces that were often made from the hair of slave girls.
Parasols were used, or women might carry fans made of peacock feathers, wood or stretched linen. Women's street shoes were made of leather, like a man's. In the house, most Romans (men and women) wore sandals. Women's sandals were brightly colored. Some were even decorated with pearls.
Chalk powder, charcoal and saffron were used as cosmetics.

hairstyles

                                                   ART

Roman Art refers to the visual componets of art in Ancient Rome. It includes architecture, sculptures, paintings etc.

The Romans existed in an exceptionally visual society encompassed by pictures. Different frescos and mosaics were found in this progress. A fresco was a substantial montage made up of little bits of stones, tiles, marbles and so on. Still Life works of art were exceptionally acclaimed. Subjects of these sketches were regularly commonplace articles like plants, foods grown from the ground, live and dead creatures and so forth. The Romans additionally made a ton of models. Materials utilized were marble and limestone. A few illustrations are Trajan's Column, Statue of Emperor Augustus, Arch of Constantine and Capitoline Brutus and so forth. Sarcophagus was an alternate well known creation made by these individuals. It was a crate like burial service container for a cadaver, most generally cut in stone and showed over the ground.

It was the zone of structural planning that Roman Art created its most noteworthy advancements. A portion of the samples are Colosseum, Pantheon, Pont Du Gard and so forth. The Colosseum, specifically, was one of the best enclosures finished around 80 AD. It can hold up to 50,000 onlookers. It was manufactured fundamentally for the combatants to battle powerful fights. Indeed today, it stands superbly in the capital of Italy, Rome. It was one of the previous Seven Wonders of the World.

Art and Fashion of Ancient Rome has had a colossal effect on the current world even today, be it structural planning, writing, attire and so forth.

EVOLUTION OF FASHION DURING THE 60's

Amid the sixties, the monetary blast that started amid the earlier decade proceeded generally. With more individuals profiting from thriving and the society moving further far from the thought of post-war proportioning, the way quite a few people connected with design started to change. Less individuals required to, or even needed to make their own particular garments and the rise of much more business style opportunities implied that utilizing attire as an issue image was no more limited to the wealthiest. Style could now be utilized to recognize levels inside the working class and even inside the poorest classes in the United States.

From tie-dyes to mini skirts, there were numerous crazes and closet staples that made up 60s style. The 60s are known as a standout amongst the most form cognizant times ever. Styles that started in the decade have had a perceptible impact on the designs of today.

Amid the early 60s, ladies' style emulated the patterns worn by the notable Jackie Kennedy. At no other time had a First Lady been such a style innovator. Ladies all over needed to duplicate her tasteful, yet chic look. Some normal components of her style included:

·         Pill box cap

·         Suits in pastel shades

·         Short boxy-style coats

·         Movement dresses

·         Oversized sunglasses

·         Pearls

The previous First Lady wasn't the main style symbol of the decade, as other mold forward ladies did their part to shape the design tone that the 60's were known for.

One of the greatest effects on current form that began in the 1960s is the presentation of the smaller than expected skirt. Initially made by originator Mary Quant, the skirt fell six to seven inches over the knee. Frequently matched with tights and go-go boots, the smaller than usual skirt began a sensation that still exists today.

Other mainstream 60s designs include:

Infant doll dresses with round necks and fitted waists were seen on ladies of all ages and sizes. These charming dresses were found in prints and solids and in both pastel and lively colors.

Hot jeans took the term shorts to an alternate level. These short shorts were seen in splendid shades and put forth a design expression on whoever set out to wear them.

Culottes were an alternate prominent attire thing. They had the look of a full skirt however were more adaptable, in the same way as a trouser. Creatively colored shirts took into account individual representation and uniqueness in the closet. Ladies wearing these splendidly colored shirts were certain to be recognized in the swarm.

Changes in men's manner in the 1960s were generally as intense for men as they were for ladies. Like ladies, men wore fundamentally the same thing in the early 60s as they did in the late 50s. By 1964, however, things began to change.

One change that is truly discernible, the jeans got to be much tighter. The fit around the thigh was energetic and not in the slightest degree the loose fit that men were usual to.

The pea cover was very mainstream for men in the mid-60s. Actually, fundamentally anything that looked straight outta London was ready in the mid-60s. The Beatles were heading the route, as hair began to become longer and jeans fit tighter. Men still wore boots and caps.

The late 60s brought an entire new scope of styles for men. In 1969 seeing a man wear a scarf was typical. Anyhow it wasn't an enormous, downy scarf of today. It was a silk scarf that was tied like a detached tie. Look at the pictures underneath. It was an exceptionally feminine look contrasted with styles of the past.

Additionally, men's jeans got to be flared at the base practically like ladies' jeans. It's agreeable that around then, ladies' garments were getting to be more manly while men's garments were getting to be more womanly.

FASHION DURING THE VICTORIAN ERA

FASHION DURING THE VICTORIAN ERA

The Victorian Era of British History was the time of Her Royal Highness, Queen Victoria's rule from 1837 till her passing in 1901. The style amid this period was ostentatious and overflowing. Individuals dressed suitably as indicated by their age and position in the general public.

Ladies amid this period wore long skirts and dresses joined by a cap or a hat. There was an exceptionally general thought that a lady's waist size was chosen by subtracting the most obvious from her age. Along these lines, if a lady's age was 20, her waist size was as far as anyone knows 19. There were by and large three sorts of articles of clothing worn by ladies. In the first place, was the Lounge Gown, normally worn at home and it was produced using the finest of fabrics that included velvet, cashmere, trim, silk and so on. Second, was the Day Dress, which by and large comprised of a v-neck area loaded with a high unsettle neckline. The women to go out for general purposes wore the day dress. Third, was the Ballroom Gown that just must be worn to exceptional occasions and gatherings. The outfit comprised of a low shoulder bodice edged with an ornamentation. 

A Crinoline

Additionally, amid this period the crinoline was designed. A crinoline was a light dress produced using steel circles, generally worn by the ladies to improve their rump and emanate an inclination of sexuality. The undergarment likewise experienced an uncommon change amid the Victorian period. It gave ladies a conelike structure while lifting and supporting their breasts, therefore structuring the state of an hourglass.

Women during the Victorian Era

The hair amid this time was confused as well as bragged of indulgence. It was by and large tied in a bun or hung as twists. Ladies could likewise be seen wearing false pieces and augmentations and those having a place with the high society, additionally wore showy head pieces encrusted with gems and pearls. The British were well known for their caps. Ladies would frequently utilize quills, or now and again, an entire fledgling to enhance their caps. It was the most pined for extra worn to flawlessly compliment the entire look.

Men's design was essentially easier and less expand as contrasted with ladies. Brandishing an exceptionally English look, the vast majority of the men would wear a waistcoat with tailed edges. Rich men wore a top cap while, men fitting in with the lower strata made do with a basic top. Honorable men constantly made a point to stroll with a stick/stick to depict predominance and class.

Impacts of the style show in the Victorian period can in any case be seen in today's apparel. Planners like Phillip Treacy, Alexander Mcqueen, Burberry and Ralph & Russo keep on carrying on the British society through their dazzling and amazing articles of clothing.

FASHION IN THE ROCOCO PERIOD

FASHION IN THE ROCOCO PERIOD

Fashion designers gained even more influence during this era, as people scrambled to be clothed in the latest styles. Fashion magazines emerged during this period.

The expression Rococo is seen as an issue of the French rocaille, or shell, and the Italian barocco, or Baroque style. The Rococo style superseded the Baroque style starting in France in the late 1720s, particularly for insides, compositions and the enriching expressions. Rich Baroque outlines were offering approach to lighter components with more bends and common examples. The delicacy and fun loving nature of Rococo outlines is regularly seen as an issue to the overabundances of Louis XIV's administration. The 1730s spoke to the stature of Rococo advancement in France. The style had spread past construction modeling and furniture to painting and figure. Extravagant still kept up the Baroque taste for complex structures and perplexing examples. By this point, it had started to incorporate a mixture of assorted attributes, including a taste for Oriental plans and deviated arrangements.

a scene from Marie Antoinette

Ladies' style additionally saw a noteworthy change. A shape for ladies was created as they could be seen wearing skirts that opened at the front emulated by plunging neck areas. Likewise, pagoda sleeves came into the picture. These were tight from shoulders to the elbow and finished with flared ribbon and strips. Likewise, ladies wore panniers under their skirts amid this period. Panniers are essentially underpants worn by ladies to broaden the width of the skirts while leaving the front and back moderately level. Additionally, a large portion of the exclusive class women wore a Robe à la Françoise, which was a tight bodice containing a low-cut square neck area, typically with huge strip bows down to the front. Likewise, one of the greatest astonishments amid this period was that the ladies did not wear any undergarments and the regular figure was clear. Ladies' heels got to be daintier with pretty enhancements done on them. Ladies wore their hair tight to the head with trim hankies. A bandanna was like a handkerchief that was fixed to the head for security purposes.

 

Men's style additionally took a lofty wind in the Rococo time. They wore diverse varieties of waistcoats, as it was the most alluring bit of the whole profile. White tights were wore under breeches (flared shorts used to cover legs, finishing at the knees) joined by heeled shoes with expansive square clasps. Likewise, men wore Tricorne caps that were edged with interlace and enriched with ostrich quills.

A man wearing an embellished waistcoat, followed by breeches worn underneath.

The Rococo time was characterized by apparently differentiating perspectives: luxury and a journey for effortlessness, light colors and substantial materials. The climax delivered an exceptionally assorted time in style like none ever in the recent past.

Egyptian Fashion and Art

Ancient egyptian were very Fashion savy to say at least . I love the way they paid attention at details , accessories and their prints . they preffered light clothing made with plant fibera ( mainly liken from flax )mainly and occasionally cotton ( imported from India ) the manufacturingprocess was mainly done by women at homeThe clothes were generally made of linen and kept simple: a short loincloth resembling a kilt for men, a dress with straps for women. These basic garments with minor variations accounting for fashion, social status and wealth did not change fundamentally throughout Egypt's history.

Women

Egyptian women wore full length straight dresses with one or two shoulder straps. During the New Kingdom period it became fashionable for dresses to be pleated or draped. The dresses worn by rich Egyptian women were made from fine transparent linen. Like the men, rich Egyptian women decorated their clothes and wore jewellery and headdresses.

Men

All men wore a wrap-round skirt that was tied at the waist with a belt. Sometimes the material was wrapped around the legs as well. The length of the skirt varied depending on the fashion of the time - in the time of the Old Kingdom they were short while in the Middle Kingdom they were calf length. During the New Kingdom period it was fashionable to wear a pleated garment.

Jewelry

Egyptian Jewelry

The Ancient Egyptians wore jewelry to show their wealth and also because they believed it made them more attractive to the Gods.

They wore rings, ear-rings, bracelets, decorated buttons, necklaces, neck collars and pendants.Only the very rich could afford jewelry made of gold and precious stones. Ordinary people made jewelry from coloured pottery beads.

Make up

Egyptian men and women wore make up.They used black kohl eyeliner to line their eyes and darken their eye lashes and eye brows. Theycoloured their eye lids with blue or green eye shadow made from powdered minerals.

Henna dye was used to colour their lips and nails.

Art and Fashion in Renaissance

Art and Fashion in  Renaissance

In our general public today, the way we dress regularly reflects our identity and how we are feeling in that minute. In fifteenth-century Italy, apparel served as a pointer of one's social and monetary status. Lasting qualities in all nations are condensed as consequently: rich substantial materials, in voluminous sum, huge sleeves, close body pieces of clothing, extensive hip-dress, wide-toed, heelless shoes and secured heads manly and ladylike.

Most men's hair was weaved however the length of your hair was picked by individual taste. The could be straight or twisted as per the way of the wearer. As the sixteenth century progressed men wore their hair shorter just about like current hair. The men wore varieties of the low-delegated, overflowed top and was regularly turned up all around or with only one side turned up.

Ladies wore the low-delegated cap in the same manner as the men. Ladies either wore their hair with involved structures in their hair like the Germans or with simply a scarf. They had the hair secured with a crown. A few names of crowns are: bow, pet hotel, peak, transparent half-arch hood, or the gorget and wimple. Laborer ladies wore the cote of the prior period and cloths or collars around their neck. They looked like what we partner dress of the Puritans.

Shades of this period are solid, frequently dull colors. Dark velvet was a staple fabric of the period, particularly in crowns. White material was an alternate stress against shades of gold and burgundy for collars and wrist unsettles.

•          Men usually wore Flat Cap that was a hat that is flat with soft crown and moderately broad brim often associated with Henry VIII. For thw top they wore Jerkin which was short velvet or leather jacket, usually sleeveless, similar to a vest/waistcoat. Also they wore Upper Hose or full trunks that extended from upper thighs to waist. 

 ·         kennel/Gable Headdress—Resembles in diagram the pediment of a Greek sanctuary. Its essentials were the piece that head over the front piece of the head and spreads the ears and the cover or sack top covering whatever remains of the head. With the formal styles of this crown, no hair was obvious, that at the brow being secured with moves or folds of fabric. There were then again, cloth coifs formed in the same blueprint which left the separated hair noticeable on the brow. The front roll was of corner to corner striped material or velvet. The pet hotel comprised of a solid plane secured with rich material, bits of which stretched out down the sides and may be stuck once again on themselves. The top at the back, joining the pet hotel, was similar to a sack with a square base. One side was turned back and stuck to the next at the again of the head. The pack was by and large of dark velvet

•       French/Crescent Stuart Cap—A heart shaped cap worn by Mary Stuart. 
• 
  

·         . Funnel Sleeves—Sleeves that start big and tighten toward the cuff.

Fashion in Medieval Europe

Fashion in Medieval Europe

Medieval style amid the Middle Ages was ruled and very affected by the Kings and Queens of the time.

Just the affluent could dress in stylish garments. Sumptuary Laws  limited common individuals in their consumption including cash used on garments, which affected Medieval style. Under the Sumptuary Laws passed by King Edward III just sovereignty were permitted to wear material of gold and purple silk. Lavish cover were banned for lower class ladies. Just the wives or girls of nobles were permitted to wear velvet, silk sable or ermine. Medieval Fashion changed with each one ruler and monarch. Diverse occasions which happened amid the Medieval period of the Middle Ages additionally influenced style. The Crusades was likely the best impact on Medieval Fashion when fine silks, glossy silks, damasks, brocades, and velvets were foreign from the Far East. The Medieval design worn in the imperial courts in the Middle Ages were imitated crosswise over Europe.

Europe, popular for its medieval craftsmanship draws its roots from the imaginative legacy of the Roman Empire and the iconographic conventions of the early Christian church. The components of workmanship inserted in this society has parts of established, early Christian and "brutal craftsmanship". The showstoppers were exceptionally uncommon and costly and were just connected with common elites, religious communities or major temples. In the event that they were religious in nature they were generally delivered by ministers. At the point when the Middle Ages gradually arrived at an end, works of significant masterful hobbies were found in little towns and an expansive quantities of middle class homes nearby and their creation was given criticalness. Amid the principle of St Benedict allowed the offer of craftsmanship by cloisters. All through the period friars may have delivered workmanship, economically for lay business and religious communities would just as contract lay masters where important. A larger part f the work was religious .The congregation had gotten to be critical and additionally rich so inconceivable aggregates of cash was used extravagantly on workmanship. Most extravagance enlightened original copies of the Early Middle Ages had sumptuous book-covers in valuable metal, ivory and gems; the re-bound pages and ivory reliefs for the spreads have made due in far more noteworthy numbers than complete spreads, which have basically been peeled off for their important materials eventually.

Shakespeare In Love

Shakespeare in love in an American – British ROM-COM which is directed by John Madden.  It’s the perfect mixture of romance from the Renaissance period. The film shows how love blooms between an already married Shakespeare and an about to be married Viola de Lesseps, Thus inspiring the play Romeo and Juliet. The film’s a classic example of the Renaissance fashion in the 1500’s no wonder it won 7 awards which includes an Academy award too.

Women are dressed in beautifully detailed and profligate. Queen Elizabeth is seen wearing gorgeous heavy embroider gowns with trails, and she wore very elaborative hats which consisted of various kinds of jewels and feathers. Like Queen Elizabeth many women wore wigs. Through detailing, the wealthy class in Britain exhibited their royal status. The one indispensible thing in all women’s closet was a corset (a clothing piece only worn by women to hold their torso and make their figure appear thinner) It was tightly tied around their waists using strings. On the contrary women from different classes were seen wearing farthingale, which is a structured metal object worn under a skirt (this was worn to enhance their buttocks). Poorer women used to dress up wearing bonnets (a hat usually white colored worn to protect one’s head). The royalty also wore a collar made from changeable piece of cloth called a ruff (to enhance one’s neckline). It was generally made out of lace; in case of the commoners they were very simply designed.

When it came to the men a lot of them can be seen wearing bases which were skirts made by adding pleats towards the centre  , which is followed by a codpiece , usually made to separate fabric in the form of a pocket attached to the skirt to cover their private parts. The upper body was covered by what is called a doublet, which is a closet fitted jacket worn by most men in that period. We could see our main lead (i.e. Shakespeare) wore a simple leather one while on the other hand royalty like Lord Wessex wore highly embroider doublets. Frilled linen shirts were also seen. The men wore hoses to cover their legs and then leather boots. Also they wore very weird shaped hats, breeches (puffed pants which are worn with stockings) and pecadils (square flaps at the base of the doublet).

Altogether Shakespeare in Love being the amazing movie that it is  give us a very close look to costumes worn in that period. It is amazing how garments from that period are still in use (I personally own a corset) but before this movie I had what so ever no idea that these pieces of fashion are bought along from the Renaissance time.

Ancient Greece

Ancient Greece

“Classical Greece” refers to the period between the Persian Wars at the beginning of the fifth century B.C. and the rise of Alexander the Great in 323 B.C. The classical period was an era of war and conflict—first between the Greeks and the Persians, then between the Athenians and the Spartans—but it was also an era of unprecedented political and cultural achieve It also brought us the political reforms ,most enduring contribution to the modern world: the system known as demokratia, or “rule by the people.”

Map of ancient greece

 ●       Material Available and innovations –

The ancient Greeks loved live theatre. Every town had at least one open air theatre. These theatres attracted crowds of 15,000 people. Each town bragged about how wonderful their plays were and how marvelous their actors were.
The ancient Greeks were wonderful architects. They invented three types of columns to support their buildings. Each was beautiful. From a distance, each column looked straight, no matter which of the three designs they used. But up close, the columns might actually tilt a bit, or lean left or right, to better support each building. The Greeks wanted things to be beautiful, but they also wanted things to be strong. 
The first Olympics games are usually given the start year of 776 BCE, but they probably began even sooner. The ancient Greeks loved competitions of all sorts, especially sporting competitions. The Olympics were not the only competition games held in ancient Greece, but they were the most popular.  
Influence of Art and architecture on costume –
The Greeks were attracted to simple, sharp, elementary forms very much in opposition to the sumptuous, over decorated textiles of the East and they transported into their costume the dominant ideas of their architecture.
 The Ancient Greeks were not fussy about their clothing. The garments they wore were made for function, and they were made simply. A single piece of fabric could be styled and restyled, to fit a particular occasion or a fashion. And with Greek summers being brutally hot, the less fabric and complicating seams to deal with, the better.

men's chiton

The fabrics that the Greeks used for their clothing was sometimes spun in the home (often into a heavy wool material), or made from linen fabric that was imported. For every member of the family, except for infants who often wore nothing at all, an outfit usually consisted of a square or rectangular piece of fabric, pins for fastening, and sometimes shoes and/or hats. The pieces of fabric were folded around the body, and pinned together at the side seams and shoulders, as well as being belted. Though it might sound as if the Greeks walked around wearing plain potato sacks, their clothing would have been dyed bright colors and would have been decorated with ornate patterns.

 

statue of a women wearing peplos

About the costume

·         A peplos was a type of tunic worn by women it was worn as a full legnth garmet because it was seen as improper to reveal any skin of the body besides the face or arms. The ways of pinning it changed over time. The most common way to wear it could be done by the following process:

●       First fold the cloth in half, and put it so that the fold in the cloth came under your right armpit and down your right side.

●       Then pull up on the front and back of the cloth so they overlap over your right shoulder and use pins to secure the front and the back

●       Next pull the front over your left shoulder, and pin it to the back of the cloth behind your back

●       Finally, given that your left side is all remained open, many woman used belts to keep the dressed closed and to provide support to keep it held up.

●       Archeological excavations in various Greek sites have given evidence that jewelry was popular in ancient Greece. Women wore earrings, bracelets, and necklaces. Evidence suggests that men in early Greece wore jewelry also, but by the fourth century, it appears that the trend had ended.

●       Makeup was used in ancient Greece. Rich women stayed indoors most of the day. Pale skin was fashionable and a sign of prestige. Women applied white lead (which was toxic) to their faces to lighten their complexion. Chalk was also used to lighten their complexion, but it wore off quickly. Connected eyebrows were also fashionable, so women decorated their eyes with dark powder. Red powder was also applied to their cheeks.

●       In case of costume-Dress/ cuts/drapes :  The Ionic tunic was called Chiton and  The Doric tunic was called Peplos  These Tunics were always fluid and live, never shaped or cut and they were worn around the body fastened by pins, introducing the first appearance of ‘the drape’. Greek clothing changed little over time. Long pieces of fabric were used to make the Greek clothes. The main item of clothing was a tunic, called a chiton. A chiton was made of a two sheets of light drapery and worn directly over the body. A belt, usually under the breast ("high-girded") or around the waist ("low-girded") helped contain it. Double-girded were also fashionable.

●       Materials used :  Clothes in Greece were made out of three types of materials. The most frequently used material was wool, which was woven from very coarse to very soft. Women and men in Greece wore nearly the same kind of clothes. These clothes were not shaped or fitted to the body, but were instead draped over the body in soft folds. There were basically four types of clothes, which were all rectangles.

●       Accessories-  A gold Mycenaean diadem. Diadems as well as wreaths and caps were often used to adorn at the head  like a modern hairband or wreath .

v For special occasions, women adorned their heads with decorative metal bands called stephane, which looked much like modern-day tiaras.

v Different types of jewelry were produced in the Hellenistic period of Ancient Greece-Necklaces, earrings, pendants, pins, bracelets, armbands, thigh bands, finger rings, wreaths, diadems, and other elaborate hair ornaments.

v Bracelets were often worn in pairs or in matched sets. Pieces were usually inlaid with pearls and dazzling gems or semiprecious stones-emeralds, garnets, carnelians, banded agates, sardonyx, chalcedony, and rock crystal. Artists also incorporated colorful enamel inlays that dramatically contrasted with their intricate gold settings.

●       Footwears : Greeks wore a large variety of shoes, depending on sex, wealth and the kind of activity for which the shoes would be used. Ancient Greeks rarely wore closed shoes and women wore light sandals because they spent most of their time inside the house. Most common colour was black but there were also colourful shoes for both men and women. Cork and felt shoes were worn exclusively by thehighly educated, sophisticated companions called hetaerae.

Erechtheum, Acropolis of Athens