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Wednesday 15 October 2014

Ice cream with Anaita Shroff

Ice cream with

Anaita  Shroff  Adajania

Since having a conversation over coffee is too mainstream, I caught hold of Anaita while she was enjoying an ice cream. You hardly tend to find people who commute oh so perfectly with Bollywood and the Fashion industry . The fashion director for Vogue India has styled for all my favourite actors , not just worked with them but gave them a complete image makeover , ( Ash in Dhoom , Deepika in cocktail)

10 th October 2014  


Me : You have worked with all my Favourite people in the industry but who is your personal favourite ?

Anaita:  I only work with people I love, and who inspire me. So  I’ll have to say all the people I dress.


Me : Not many people switch perfectly from working in both industries ( ie mainstream bollywood and the fashion world) , but does your heart reside in one ?

Aniata : My heart and creativity lies with fashion . I m more myself , in the fashion industry whereas in a film , the director keeps on giving in insights and the actor’s opinions also count.


Me: Women like Grace coddington are still working at the age of 71, do you think you ll be working a few decades later?

Aniata : Well it’s easy for me not to work(smiles). I could be with my family at a beach , painting , cooking or just shopping . I like keeping busy and I love what I do , so as per now no plans for retirement.


Me: So lastly what are some tips you’d like to give all the aspiring stylist out there?

Aniata : Firstly , love and live Fashion , read loads of fashion magazines and trend reports. Second , assist a stylist ,there is no better way rather than to assist someone who is great at what they do. Building a portfolio is also a must and lastly build relations , its always good to stay connect and know the people that you ‘ ll probably work with in the future.


And alas , her ice cream finished and it was time for me to head back from the Dream world that Aniata stays in and back to reality . But I did leave with my head filled with notions of where I want to end up.



Tuesday 14 October 2014

Up and Close with
Kanishtha Dhankar
The former Miss India and now one of the highest paid models for fashion weeks . You ll see her in most of the shows , being an indispensable part of most of the Designer’s collections. She obliged me with a quick rapid fire session .

So when i asked her about her love for the ramp , she told me “ Well fashion is something i was always interested in. I started modelling before Miss India happened.” So i was interested in knowing where she came from , she told me she belonged from Haryana but she had been born and bought up in Mumbai. 
 I was shocked to know that she is a graduate in Accounting not just that she holds a Post graduate diploma in advertising and public relationships ( she had a very big smile on her face when i told her that that’s the stream I m following too ) . 
Seeing that the conversation was going towards a boring end I asked her what gives her a high and being the unexpected girl she is she said “ watching sunrise on an isolated beach”. 
Quickly thinking about more questions I could  ask her , I inquired about  the Best pick up line used on her “ If beauty was time , you ‘d be eternity “ and i couldn't help put purr an “awwwwww”  Since I couldn't be there to catch all the action backstage I asked  her about all the nerves and excitement that goes on backstage , she said “ the backstage is always exiting , like you said there is alot of nerves and energy . Everyone’s at their best. To be surrounded by soo many people is fun and motivating. Since I had seen her  arranging girl’s in order backstage  when I asked her about this she smiled and said that she feels a part of any show fully and wants the best she can to make it the best. 

Undoubtedly she is amongst the Most famous and top paid model of our times.Despite being at that level she is so adorably sweet and kind , and according to be if you are humble after reaching such heights then you know what success means in it’s right terms.

PS she took the Selfie herself 

Egyptian Fashion and Art

Ancient egyptian were very Fashion savy to say at least . I love the way they paid attention at details , accessories and their prints . they preffered light clothing made with plant fibera ( mainly liken from flax )mainly and occasionally cotton ( imported from India ) the manufacturingprocess was mainly done by women at homeThe clothes were generally made of linen and kept simple: a short loincloth resembling a kilt for men, a dress with straps for women. These basic garments with minor variations accounting for fashion, social status and wealth did not change fundamentally throughout Egypt's history.
Women
Egyptian women wore full length straight dresses with one or two shoulder straps. During the New Kingdom period it became fashionable for dresses to be pleated or draped. The dresses worn by rich Egyptian women were made from fine transparent linen. Like the men, rich Egyptian women decorated their clothes and wore jewellery and headdresses.
Men
All men wore a wrap-round skirt that was tied at the waist with a belt. Sometimes the material was wrapped around the legs as well. The length of the skirt varied depending on the fashion of the time - in the time of the Old Kingdom they were short while in the Middle Kingdom they were calf length. During the New Kingdom period it was fashionable to wear a pleated garment.

Jewelry

Egyptian Jewelry
The Ancient Egyptians wore jewelry to show their wealth and also because they believed it made them more attractive to the Gods.

They wore rings, ear-rings, bracelets, decorated buttons, necklaces, neck collars and pendants.Only the very rich could afford jewelry made of gold and precious stones. Ordinary people made jewelry from coloured pottery beads.

Make up

Egyptian men and women wore make up.They used black kohl eyeliner to line their eyes and darken their eye lashes and eye brows. Theycoloured their eye lids with blue or green eye shadow made from powdered minerals.

Henna dye was used to colour their lips and nails.



Art and Fashion in Renaissance

Art and Fashion in  Renaissance

In our general public today, the way we dress regularly reflects our identity and how we are feeling in that minute. In fifteenth-century Italy, apparel served as a pointer of one's social and monetary status. Lasting qualities in all nations are condensed as consequently: rich substantial materials, in voluminous sum, huge sleeves, close body pieces of clothing, extensive hip-dress, wide-toed, heelless shoes and secured heads manly and ladylike.

Most men's hair was weaved however the length of your hair was picked by individual taste. The could be straight or twisted as per the way of the wearer. As the sixteenth century progressed men wore their hair shorter just about like current hair. The men wore varieties of the low-delegated, overflowed top and was regularly turned up all around or with only one side turned up.

Ladies wore the low-delegated cap in the same manner as the men. Ladies either wore their hair with involved structures in their hair like the Germans or with simply a scarf. They had the hair secured with a crown. A few names of crowns are: bow, pet hotel, peak, transparent half-arch hood, or the gorget and wimple. Laborer ladies wore the cote of the prior period and cloths or collars around their neck. They looked like what we partner dress of the Puritans.


Shades of this period are solid, frequently dull colors. Dark velvet was a staple fabric of the period, particularly in crowns. White material was an alternate stress against shades of gold and burgundy for collars and wrist unsettles.



  •          Men usually wore Flat Cap that was a hat that is flat with soft crown and moderately broad brim often associated with Henry VIII. For thw top they wore Jerkin which was short velvet or leather jacket, usually sleeveless, similar to a vest/waistcoat. Also they wore Upper Hose or full trunks that extended from upper thighs to waist. 

 ·         kennel/Gable Headdress—Resembles in diagram the pediment of a Greek sanctuary. Its essentials were the piece that head over the front piece of the head and spreads the ears and the cover or sack top covering whatever remains of the head. With the formal styles of this crown, no hair was obvious, that at the brow being secured with moves or folds of fabric. There were then again, cloth coifs formed in the same blueprint which left the separated hair noticeable on the brow. The front roll was of corner to corner striped material or velvet. The pet hotel comprised of a solid plane secured with rich material, bits of which stretched out down the sides and may be stuck once again on themselves. The top at the back, joining the pet hotel, was similar to a sack with a square base. One side was turned back and stuck to the next at the again of the head. The pack was by and large of dark velvet
  •       French/Crescent Stuart Cap—A heart shaped cap worn by Mary Stuart. 


·         . Funnel Sleeves—Sleeves that start big and tighten toward the cuff.




Fashion in Medieval Europe

Fashion in Medieval Europe

Medieval style amid the Middle Ages was ruled and very affected by the Kings and Queens of the time.

Just the affluent could dress in stylish garments. Sumptuary Laws  limited common individuals in their consumption including cash used on garments, which affected Medieval style. Under the Sumptuary Laws passed by King Edward III just sovereignty were permitted to wear material of gold and purple silk. Lavish cover were banned for lower class ladies. Just the wives or girls of nobles were permitted to wear velvet, silk sable or ermine. Medieval Fashion changed with each one ruler and monarch. Diverse occasions which happened amid the Medieval period of the Middle Ages additionally influenced style. The Crusades was likely the best impact on Medieval Fashion when fine silks, glossy silks, damasks, brocades, and velvets were foreign from the Far East. The Medieval design worn in the imperial courts in the Middle Ages were imitated crosswise over Europe.



Europe, popular for its medieval craftsmanship draws its roots from the imaginative legacy of the Roman Empire and the iconographic conventions of the early Christian church. The components of workmanship inserted in this society has parts of established, early Christian and "brutal craftsmanship". The showstoppers were exceptionally uncommon and costly and were just connected with common elites, religious communities or major temples. In the event that they were religious in nature they were generally delivered by ministers. At the point when the Middle Ages gradually arrived at an end, works of significant masterful hobbies were found in little towns and an expansive quantities of middle class homes nearby and their creation was given criticalness. Amid the principle of St Benedict allowed the offer of craftsmanship by cloisters. All through the period friars may have delivered workmanship, economically for lay business and religious communities would just as contract lay masters where important. A larger part f the work was religious .The congregation had gotten to be critical and additionally rich so inconceivable aggregates of cash was used extravagantly on workmanship. Most extravagance enlightened original copies of the Early Middle Ages had sumptuous book-covers in valuable metal, ivory and gems; the re-bound pages and ivory reliefs for the spreads have made due in far more noteworthy numbers than complete spreads, which have basically been peeled off for their important materials eventually.





Shakespeare In Love
Shakespeare in love in an American – British ROM-COM which is directed by John Madden.  It’s the perfect mixture of romance from the Renaissance period. The film shows how love blooms between an already married Shakespeare and an about to be married Viola de Lesseps, Thus inspiring the play Romeo and Juliet. The film’s a classic example of the Renaissance fashion in the 1500’s no wonder it won 7 awards which includes an Academy award too.

Women are dressed in beautifully detailed and profligate. Queen Elizabeth is seen wearing gorgeous heavy embroider gowns with trails, and she wore very elaborative hats which consisted of various kinds of jewels and feathers. Like Queen Elizabeth many women wore wigs. Through detailing, the wealthy class in Britain exhibited their royal status. The one indispensible thing in all women’s closet was a corset (a clothing piece only worn by women to hold their torso and make their figure appear thinner) It was tightly tied around their waists using strings. On the contrary women from different classes were seen wearing farthingale, which is a structured metal object worn under a skirt (this was worn to enhance their buttocks). Poorer women used to dress up wearing bonnets (a hat usually white colored worn to protect one’s head). The royalty also wore a collar made from changeable piece of cloth called a ruff (to enhance one’s neckline). It was generally made out of lace; in case of the commoners they were very simply designed.

When it came to the men a lot of them can be seen wearing bases which were skirts made by adding pleats towards the centre  , which is followed by a codpiece , usually made to separate fabric in the form of a pocket attached to the skirt to cover their private parts. The upper body was covered by what is called a doublet, which is a closet fitted jacket worn by most men in that period. We could see our main lead (i.e. Shakespeare) wore a simple leather one while on the other hand royalty like Lord Wessex wore highly embroider doublets. Frilled linen shirts were also seen. The men wore hoses to cover their legs and then leather boots. Also they wore very weird shaped hats, breeches (puffed pants which are worn with stockings) and pecadils (square flaps at the base of the doublet).


Altogether Shakespeare in Love being the amazing movie that it is  give us a very close look to costumes worn in that period. It is amazing how garments from that period are still in use (I personally own a corset) but before this movie I had what so ever no idea that these pieces of fashion are bought along from the Renaissance time.

Wednesday 1 October 2014

Amateur's try at photography


G irly  Photography

I remember coming across pictures on tumble a few years ago and wondered to myself , if  I  could do stuff like that . So for my Portfolio for my college I made a series of compositions and shoot ‘em .






















Hope you like it 

Ancient Greece

Ancient Greece
“Classical Greece” refers to the period between the Persian Wars at the beginning of the fifth century B.C. and the rise of Alexander the Great in 323 B.C. The classical period was an era of war and conflict—first between the Greeks and the Persians, then between the Athenians and the Spartans—but it was also an era of unprecedented political and cultural achieve It also brought us the political reforms ,most enduring contribution to the modern world: the system known as demokratia, or “rule by the people.”
Map of ancient greece
        Material Available and innovations –
The ancient Greeks loved live theatre. Every town had at least one open air theatre. These theatres attracted crowds of 15,000 people. Each town bragged about how wonderful their plays were and how marvelous their actors were.
The ancient Greeks were wonderful architects. They invented three types of columns to support their buildings. Each was beautiful. From a distance, each column looked straight, no matter which of the three designs they used. But up close, the columns might actually tilt a bit, or lean left or right, to better support each building. The Greeks wanted things to be beautiful, but they also wanted things to be strong. 
The first Olympics games are usually given the start year of 776 BCE, but they probably began even sooner. The ancient Greeks loved competitions of all sorts, especially sporting competitions. The Olympics were not the only competition games held in ancient Greece, but they were the most popular.  
Influence of Art and architecture on costume –
The Greeks were attracted to simple, sharp, elementary forms very much in opposition to the sumptuous, over decorated textiles of the East and they transported into their costume the dominant ideas of their architecture.
 The Ancient Greeks were not fussy about their clothing. The garments they wore were made for function, and they were made simply. A single piece of fabric could be styled and restyled, to fit a particular occasion or a fashion. And with Greek summers being brutally hot, the less fabric and complicating seams to deal with, the better.
men's chiton
The fabrics that the Greeks used for their clothing was sometimes spun in the home (often into a heavy wool material), or made from linen fabric that was imported. For every member of the family, except for infants who often wore nothing at all, an outfit usually consisted of a square or rectangular piece of fabric, pins for fastening, and sometimes shoes and/or hats. The pieces of fabric were folded around the body, and pinned together at the side seams and shoulders, as well as being belted. Though it might sound as if the Greeks walked around wearing plain potato sacks, their clothing would have been dyed bright colors and would have been decorated with ornate patterns.

 
statue of a women wearing peplos

About the costume
·         A peplos was a type of tunic worn by women it was worn as a full legnth garmet because it was seen as improper to reveal any skin of the body besides the face or arms. The ways of pinning it changed over time. The most common way to wear it could be done by the following process:

       First fold the cloth in half, and put it so that the fold in the cloth came under your right armpit and down your right side.
       Then pull up on the front and back of the cloth so they overlap over your right shoulder and use pins to secure the front and the back
       Next pull the front over your left shoulder, and pin it to the back of the cloth behind your back
       Finally, given that your left side is all remained open, many woman used belts to keep the dressed closed and to provide support to keep it held up.
       Archeological excavations in various Greek sites have given evidence that jewelry was popular in ancient Greece. Women wore earrings, bracelets, and necklaces. Evidence suggests that men in early Greece wore jewelry also, but by the fourth century, it appears that the trend had ended.
       Makeup was used in ancient Greece. Rich women stayed indoors most of the day. Pale skin was fashionable and a sign of prestige. Women applied white lead (which was toxic) to their faces to lighten their complexion. Chalk was also used to lighten their complexion, but it wore off quickly. Connected eyebrows were also fashionable, so women decorated their eyes with dark powder. Red powder was also applied to their cheeks.

       In case of costume-Dress/ cuts/drapes :  The Ionic tunic was called Chiton and  The Doric tunic was called Peplos  These Tunics were always fluid and live, never shaped or cut and they were worn around the body fastened by pins, introducing the first appearance of ‘the drape’. Greek clothing changed little over time. Long pieces of fabric were used to make the Greek clothes. The main item of clothing was a tunic, called a chiton. A chiton was made of a two sheets of light drapery and worn directly over the body. A belt, usually under the breast ("high-girded") or around the waist ("low-girded") helped contain it. Double-girded were also fashionable.

       Materials used :  Clothes in Greece were made out of three types of materials. The most frequently used material was wool, which was woven from very coarse to very soft. Women and men in Greece wore nearly the same kind of clothes. These clothes were not shaped or fitted to the body, but were instead draped over the body in soft folds. There were basically four types of clothes, which were all rectangles.

       Accessories-  A gold Mycenaean diadem. Diadems as well as wreaths and caps were often used to adorn at the head  like a modern hairband or wreath .
v For special occasions, women adorned their heads with decorative metal bands called stephane, which looked much like modern-day tiaras.
v Different types of jewelry were produced in the Hellenistic period of Ancient Greece-Necklaces, earrings, pendants, pins, bracelets, armbands, thigh bands, finger rings, wreaths, diadems, and other elaborate hair ornaments.

v Bracelets were often worn in pairs or in matched sets. Pieces were usually inlaid with pearls and dazzling gems or semiprecious stones-emeralds, garnets, carnelians, banded agates, sardonyx, chalcedony, and rock crystal. Artists also incorporated colorful enamel inlays that dramatically contrasted with their intricate gold settings.

       Footwears : Greeks wore a large variety of shoes, depending on sex, wealth and the kind of activity for which the shoes would be used. Ancient Greeks rarely wore closed shoes and women wore light sandals because they spent most of their time inside the house. Most common colour was black but there were also colourful shoes for both men and women. Cork and felt shoes were worn exclusively by thehighly educated, sophisticated companions called hetaerae.

Erechtheum, Acropolis of Athens















 

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